Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s   Related Paintings of Sandro Botticelli :. | Madonna and CHild with an Angel | St Augustine in his Study | Trials of Moses | Portrait of a Lady | Details of Primavera (mk36) |
Related Artists:
Nico Klopp
Den Nico Klopp war e letzebuergesche Moler. Hien ass den 18. September 1894 zu Bech-Maacher gebuer, an den 29. Dezember 1930 an der Stad Lëtzebuerg gestuerwen, wahrscheinlech un engem Gehirtumor, am Alter vun nëmme 36 Joer. Hie gëtt zu de postimpressionistesche Moler gerechent. Säi LiewenDen Nico Klopp koum aus dem Wënzermilieu. Hien huet d'Handwierkerschoul an der Stad besicht. Seng Eltere si frei gestuerwen. No hirem Doud, huet hie sech fräi gefillt, fir vun 1915-1920 zu Dusseldorf a Weimar Konscht ze studeieren. Well hie vun der Konscht aleng net liewe konnt, war hien, vun 1923 un, Gemengereceveur zu Reimech. Zäitweileg huet hien op Schoulen Zeechenunterrecht ginn, an huet nach en Täschegeld als Kannengerchersziichter verdengt. 1927 huet hie sech mat e puer anere Kënschtler, wei dem Joseph Kutter, dem Claus Cito, dem Auguste Tremont an anere vum Cercle Artistique getrennt, well him de Cercle ze reckstänneg war. Si goufe Sezessioniste genannt, well se 1927 e Salon de la Secession" organiseiert haten. E puer vu senge Wierker sinn am Nationalmusee fir Geschicht a Konscht an der Stad ze gesinn. Den Nico Klopp huet vill Biller vun der Musel gemoolt, bekannt si virun allem seng Biller vun der Muselbreck zu Reimech. Hien huet och Blummebiller gemoolt an dobäi hat hien eng Präferenz fir Tulpen. Ausserdeem war hien e Meeschter an Holz- a Linoschnëtter.
Ranney William Tylee
German-born American Painter, 1813-1857 American painter. He spent six formative years in the hill country of North Carolina. By 1834 he was working and studying drawing in New York, but two years later he went to Texas to join in the war for independence. Although he returned to New York a year later, it was not until 1846, with the outbreak of the Mexican War, that Ranney began to use his Western experience as the basis for his painting. With the encouragement of the American Art Union, he executed three types of Western subject: the Western trapper or hunter, pursuing a dangerous life on the prairies, as in Trapper's Last Shot (1850; untraced; engraved and lithographed by T. Dwight Booth); the pioneer family, heading across the plains with children, dogs and goods, as in Advice on the Prairie (1853; Malvern, PA, Claude J. Ranney priv. col.); and the dangers of emigration, for example Prairie Fire.
William Bliss Baker
(1859 - 1886-11-20) was an American artist born in New York City who was just beginning to hit his stride as a landscape painter in the Realism movement when he died at his father's house at Hoosick Falls, New York at the age of 27 due to a back injury received while ice skating several months earlier Baker studied at the National Academy of Design for four years beginning in 1876,where he won first prize during his first exhibit in 1879. By 1881, Baker had set up a studio north of Albany, New York.